History of St. Augustine’s Parish Church, Valletta

In the wake of the Great Siege of 1565, the Order of St. John erected a new majestic city planned in a grid-formation and with majestic palaces and buildings within strong fortifications. Unfortunately, la Valette died in August of 1568 and one of the immediate actions taken by his successor Fra Pietro del Monte, was to allocate parcels of land to the various religious orders so they can build their churches, which apart from serving to the people’s religious needs, would also attract others to work and live the city.

Valletta was divided into a number of ‘quarters’ or plots and the Augustinian Community requested the plot No. 43, between Strada San Sebastiano and Strada San Giovanni.

Works on the first Augustinian church and convent in Valletta commenced in 1571 on the plans of the Maltese Architect Gerolamo Cassar, the same engineer of the Order of St. John who built St. John’s Cathedral, the Grand Masters Palace and the Sacra Infirmeria, the seven Auberges and another number of churches in Valletta and elsewhere.

It was first dedicated to Our Lady of Prompt Succour (Soccorso), although the convent bore the title of Saint Augustine of Hippo. The church had its façade in Strada San Sebastiano, now Triq iż-Żekka l-Qadima (Old Mint Street). Adjacent to the church was the convent.

MAP 0001

The Augustinian Community has been present in Valletta for nearly two hundred years, and both the church and convent were showing the toll of the years and need for repairs, especially following the earthquake of 1693.

So on December 10, 1763, the Community unanimously agreed that it was better to demolish the old church and to build a newer one. The new site was on the corner between the present Triq l-Ifran and Triq San Gwann.

The work was assigned to the Capo Maestro dell Opera of Luqa Giuseppe Bonnici (1707—1779) Bonnici, was responsible for the building of St. Barbara’s church (1739), the Nadur Basilica (1760), design of the Customs House (1774), continuing the building of the Castellania when Francesco Zerafa died in 1758, part of Palazzo Parisio and many other lesser buildings and houses.

Architect Bonnici passed away in 1799, fourteen years after works on the building of the new church had commenced. The new man in charge of works was one of the Order’s twelve periti, Capo Maestro and Arcitetto Antonio Cachia (1739-1813), known for his earlier work on the Auberge de Castille under Belli and the St. Julian’s Hospital in Gozo to name just two of his works. Cachia did not quite agree with Bonnici’s plans due to two large defects for which suggested a number of changes but the works had to be halted for some time.

Due to financial difficulties, the church could not be completed within the expected time but by May 1785, the church which was in a fairly advanced state and was totally complete in 1794.

The church has a symmetrically balanced Baroque façade divided into two levels which terminates in twin bell-towers. Internally, it is in the form of a Greek Cross plan with a square crossing and four double-square bays. The arms have their altars set in a curved recess to make them look longer and the four chapels in the corners are also square but are roofed over with small domes with lantern windows. The apse is just as large and gives the impression of an extra chapel. Its architecture varies from Composite Order to the Doric in the Vignolan.

The church remained much the same other to the addition of a second bell-tower in 1912 and internal decoration. Sections of both the convent and church were demolished by enemy bombs during the Second World War but were rebuilt when hostilities ended.

On February 1, 1968, the church of Saint Augustine was elevated to a parish by Mons. Sir Michael Gonzi, Archbishop of Malta.

Statues

Saint Augustine (in the Choir)
As soon as you enter the church door and look at the high altar, you will notice that instead of a perspective with a titular painting, the choir has a large statue of the patron Saint Augustine of Hippo, sculpted from the Maltese stone and which many think is made of marble. This is a faithful copy of the original located in Sant' Agostino in Campo Marzio in Rome, Italy.
Audio Interpretation
Statue of St. Rita of Cascia
The statue of St. Rita of Cascia which is venerated at the Parish Church of St. Augustine in Valletta has an eventful history. The statue was not originally commissioned by the Augustinian Community in Malta, nor was it made for the church of St Augustine at Valletta. The statue was made by the renown Maltese artist Vincezo Maria Cremona of Sliema, who made the statue of St Rita from papier mâché as an act of thanksgiving received through the intercession of the saint.
Audio Interpretation
Statue of Our Lady of the Girdle
The Augustinian Order has always held great devotion to Our Lady under the title "Mother of Comfort", or rather as we commonly know it as, "Our Lady of the Girdle", whom the Augustinian Order looks at Our Lady under this title, as their Principal Patron. In this church, in the left niche near the main door of the same church, is the statue of the Madonna under this title. This statue was made in the year 1861 by . . . . .
Audio Interpretation
Painting 04
Painting 04 - Description stilll to be placed
Audio Interpretation
Painting 05
Painting 05 - Description stilll to be placed
Audio Interpretation
Painting 06
Painting 06 - Description stilll to be placed
Audio Interpretation

Paintings

Our Lady of Consolation
Our Lady of Consolation is traditionally depicted with St.Augustine and St.Monica. In this particular painting by Fra. Hermengildus Grech the painting only depicts St.Monica receiving the girdle whereas three angels hold a box full of girdles. The girdle symbolise chastity and carries a very strong tradition and devotion in the Augustinian Order.
Click for audio version
Our Lady "Tas-Sokkors"
The Augustinian Friars always had a great devotion to Our Lady under the title "Tas-Sokkors"* and their first church in Valletta was dedicated to Our Lady under this title. The painting that today hags in the chapel of this title is not the first one that was painted. It had replaced another older one which is believed to have been the titular painting of the first church and which hangs at the "Korett".
Click for audio version
Sacred Heart of Jesus
A dramatic painting depicting one of the many apparitions (1673 and 1675) of Jesus to Saint Margret Mary Alacoque. This is in the traditionalist and classical idiom and iconography.
Click for audio version
Our Lady of Perpetual Help
A painting which fully expresses the Pre-Raphaelite and Nazarene movement in Malta. In a very academic and classical expression the painting as with Gothic and early Renaissance paintings is divided in two. The characteristic iconography of Our Lady Enthroned holding the Child Jesus and Saviour surrounded with angels dominates the centre and upper part of the canvas.
Click for audio version
The Annunciation
An excellent and faithful copy of Bernardino Poccetti’s Annunciation at the Annunciation Church in Florence. The painter (possibly Florentine) had a very good idea of the earlier fresco which Poccetti drew inspiration from. This Annunciation is between the traditionalist and early Renaissance styled paintings of the subject showing the Madonna enthroned and the Angel Gabriel.
Click for audio version
St.John of Sahagun
St.John of Sahagun is seen holding the chalice and the lily and being inspired by God as he preaches to the crowds. John González was born in 1430 of a well-to-do family in Sahagún de Campos, Spain. He studied under the Bene-dictines and in 1463 renounced all offices to join the Augustinian Order in Sal-amanca.
Click for audio version
Our Lady of Phileremos
A fine painting depicting Our Lady with a blue cloak and a brooch with the en-sign of the Order of St.John; the eight pointed cross. Our Lady of Phileremos is the patron of the Order and is tied to the thanks giving for the raising of the Turkish siege of Malta on 8 September 1565.
Click for audio version

Side Altars

Side Altar 01
Side Altar 01 - Description still to be added
Click for audio version
Side Altar 02
Side Altar 02 - Description still to be added
Click for audio version
Side Altar 03
Side Altar 03 - Description still to be added
Click for audio version
Side Altar 04
Side Altar 04 - Description still to be added
Click for audio version
Side Altar 05
Side Altar 05 - Description still to be added
Click for audio version
Side Altar 06
Side Altar 06 - Description still to be added
Click for audio version